Sound Art: Sound as a Medium of Art. Peter Weibel
Sound-Art-Sound-as-a.pdf
ISBN: 9780262029667 | 744 pages | 19 Mb
- Sound Art: Sound as a Medium of Art
- Peter Weibel
- Page: 744
- Format: pdf, ePub, fb2, mobi
- ISBN: 9780262029667
- Publisher: MIT Press
Pdf format books free download Sound Art: Sound as a Medium of Art 9780262029667 by Peter Weibel
Essays and images that map art's new sonic cosmos, illustrated in color throughout. This milestone volume maps fifty years of artists' engagement with sound. Since the beginning of the new millennium, numerous historical and critical works have established sound art as an artistic genre in its own right, with an accepted genealogy that begins with Futurism, Dada, and Fluxus, as well as disciplinary classifications that effectively restrict artistic practice to particular tools and venues. This book, companion volume to a massive exhibition at ZKM | Karlsruhe, goes beyond these established disciplinary divides to chart the evolution and the full potential of sound as a medium of art. The book begins with an extensive overview by volume editor Peter Weibel that considers the history of sound as media art, examining work by visual artists, composers, musicians, and architects alike. Subsequent essays examine sound experiments in antiquity, sonification of art and science, and internet-based sound art. Contributors then survey the global field of sound art research and practice, in essays that describe the past, present, and future of sound art in Germany, Japan, China, the United States, the United Kingdom, Russia, Canada, Turkey, Australia, and Scandinavia. The texts are accompanied by an extensive photographic documentation of the ZKM exhibition. Texts by Achille Bonito Oliva, Dmitry Bulatov, Germano Celant, Seth Cluett, Christoph Cox, Julia Gerlach, Ryo Ikeshiro und/and Atau Tanaka, Caleb Kelly, Brandon LaBelle, Christof Migone, László Moholy-Nagy, Daniel Muzyczuk, Tony Myatt, Irene Noy, Giuliano Obici, Carsten Seiffarth und/and Bernd Schulz, Basak Senova, Linnea Semmerling, Morten Søndergaard, Alexandra Supper, David Toop und/and Adam Parkinson, Peter Weibel, Dajuin Yao, Siegfried Zielinski
Timo Kahlen - Wikipedia
Life and work[edit]. Timo Kahlen is known for his sound sculptures and site- specific sound art contemporary media art since the mid-1980s, including Sound Art: Sound as a Medium of the Arts (ZKM Center for Arts and Media Technologies, Everyday Listening - Sound Art, Sound Installations, Sonic Inspiration
Everyday Listening is a sound art blog, collecting remarkable sound art and creative sound design projects, sound installations, reviews of sound scapes, Sound Art? - Max Neuhaus | ART THEORY
number of exhibitions at visual arts institutions that have focused on sound. an infinite number of possibilities to cultivate the vast potential of this medium in Journal of Sonic Studies — Sound Art. Sound as a Medium of Art
The exhibition “Sound Art. Sound as a Medium of Art” presents for the first time the development of sound art in the 21th century at the ZKM Sound Art | ArtHistory.net
Sound Art is an artistic medium that has been employed as a term since the early 1980s. Sound Art has been difficult to categorize as many art critics view this Sound Arts Richmond
An exploration of sound as an art medium in Richmond, Virginia. Now Hear This: Sound Art Has Arrived -ARTnews
Sound is being recognized and exhibited as an art form in its own right. reach a crescendo—sound was its own medium,” explains Walker Art Commentary: Sound Art Is Much More Than Experimental Music | St
Wikipedia describes sound art as an artistic discipline in which sound is utilized as a primary medium. Like many genres of contemporary art, Sound Art - Sound as a Medium of Art, de Peter Weibel | sonore visuel
This milestone volume maps fifty years of artists' engagement with sound. Since the beginning of the new millennium, numerous historical and critical works (PDF) Sound Art as Media Art (Ciumakova) Final + Annex.pdf | Ina
In the visual art discourse sound art often maintains the status of an “under- recognized tradition” (Ouzounian, 2008, p. xix), is perceived as too “medium- specific”